The Leap from Good Draft to Great Book.
At Atmosphere Press, developmental editing (DE) is a genuine collaboration between our editors and each author — built around your book’s fullest potential. Our editors understand how much it means to finally publish something you’re proud of.
The Leap from Good Draft to Great Book.
At Atmosphere Press, developmental editing (DE) is a genuine collaboration between our editors and each author — built around your book’s fullest potential. Our editors understand how much it means to finally publish something you’re proud of.
Across the spectrum of genres and forms, my top priority is to customize my feedback to align with, and support, each author's individual goals.
I draw on nearly 20 years of global experience in teaching, researching, writing, and editing in service of each book becoming the best possible version of itself. As a writer, I am a contributor to the second edition of Environmental and Nature Writing, forthcoming from Bloomsbury Press in 2026, and I've published fiction under the name Jonathan Calloway at lit mags such as Yale's The Perch magazine, Contrary, Pif, LIU's Defunct, and others.
Specialties
My role as an editor is to serve as a supportive guide, helping writers identify and center the craft elements that reveal the unique voice of their story. I offer honest, thoughtful feedback with a strong focus on craft, always aiming to elevate the writing while honoring the author's vision.
At the heart of my work is a simple belief: your story deserves its place on a bookshelf. Some of my favorite Atmosphere Press titles I've had the privilege of working on include Snakeroot & Cohosh by Cathy Schieffelin, The Disruption by Bill Hilf, Service by Kate Campo, A Beautiful Sunrise by Bernadette Gage, and Big Lake Troubles by Jeffrey D. Boldt.
Specialties
My approach to working with authors is offering my objective perspective as an editor while conveying my subjective experience as a reader; most importantly it's in identifying what the author wants to work on in our drafts together.
To highlight the insecurities and weak spots they are concerned with, so I can help them feel totally confident in the book they're publishing. I think after seven years of doing this I've developed a genuinely holistic style. If both author and editor walk away from the new draft believing the book has been improved, then I feel it's been a successful job.
Specialties
Every memoir contains two stories: the one that happened, and the one that means something. My job is to help writers find the second one.
I enjoy working with authors to discover the transformative arc beneath the events, when writing goes beyond personal history and becomes something that truly resonates with readers. My memoir The Buddha at My Table won the 2019 Book of the Year award from the Chicago Writers Association, and my work has appeared in Huffington Post, Grok Nation, She Does the City, Eden Magazine, and Brazen Women.
Specialties
Developmental editing is one of the most transformative steps a manuscript goes through before it becomes a book. It's in this stage that a story truly comes to life.
As both a published author and a developmental editor, I'm passionate about guiding writers through that process and helping each book become the best, most elevated version it can be. My passion for literature and writing has led me to pursue my MFA at Spalding University and to publish a number of books, including Close to a Flame (Cornerstone Press); The Hound of Thornfield High (Conquest Publishing); Bonfires & Other Vigils (Red Rook Press); Skinny Vanilla Crisis (Atmosphere Press), among others.
Specialties
I consider myself a "big picture" editor. I like looking for patterns in the manuscript, finding moments that land while pointing out ones that might benefit from revision. I especially enjoy forming a relationship with writers, helping them through the earliest stage in the publishing process. My hope is to make their editing experience a little less painful.
I have taught online, overseas, and in college and college prep programs. I currently teach creative writing for UC Berkeley Extension. On the editorial side, I served as a foreign rights coordinator at HarperCollins Publishers in New York. More recently, I worked as a digital editor for a nonprofit in San Francisco. My work has appeared in Witness, Rio Grande Review, Atticus Review, Cottonwood, Fiction International, and others.
Specialties
I approach the editorial process as a steward — knowing the book is not mine — while helping writers sound like themselves, but better. I also view myself as both cheerleader and coach. My goal is that the author will end up with a book they're proud of.
I spent nearly two decades teaching English & creative writing at the university level before resigning my tenured professorship to become a freelance editor. I'm a poet, fiction writer, and nonfiction writer, with dozens of individual publications, as well as a short-story collection, poetry collection, and poetry chapbook.
SpecialtiesHow Developmental Editing Strengthens Your Manuscript
Developmental editing works at the architectural level of your story. The relationship is less about tearing a manuscript down and more about giving you the tools to rebuild it into its strongest form.
Does your narrative arc hold? Are act breaks, turning points, and climax landing where they should? We map and strengthen the spine of your story.
Flat protagonists and unearned character arcs are among the most common manuscript challenges. We help your characters feel fully alive on the page.
Saggy middles and rushed endings lose readers. We identify exactly where momentum falters and how to restore it without losing your authorial voice.
Your voice is your greatest asset. We work to bring it through more purely — not to replace it, but to help it shine in every paragraph.
The ideas beneath your story matter as much as the plot. We ensure your themes are woven consistently throughout, adding depth that readers feel even when they can't name it.
Subplots, timelines, POV shifts, and chapter transitions must work together. We identify inconsistencies and help you create a unified, coherent reading experience.
Especially for memoir and literary fiction, we search for the deeper story beneath the events — the emotional arc that makes a personal story universal.
Will readers turn pages? We examine your hook, chapter endings, and revelation pacing to ensure your manuscript earns and holds attention from start to finish.
Your manuscript is
closer than you think.
The uncertainty you feel about your book isn't a sign it isn't ready — it's a sign you care about getting it right. Our developmental editors have helped hundreds of authors move from that doubt to publishing something they're genuinely proud of. Let's begin.