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Advice for writers

Advice
for writers

Exploring Eco-Fiction: A Green Path for Writers

exploring eco fiction

How Stories Shape Our Understanding of the Planet

Eco-fiction is literature that places the environment at the heart of storytelling—not just as a backdrop, but as an essential force. These are novels and short stories that engage directly with ecological themes: climate change, biodiversity, sustainability, and the fraught, fascinating relationship between humans and the natural world.

But eco-fiction is more than just stories about forests or floods. It’s a growing, evolving genre that dares to imagine new futures, reckon with environmental grief, and reframe the world through the eyes of more-than-human life. Sometimes it’s quiet and lyrical; other times speculative and sweeping. What unites these narratives is a deep sense of ecological awareness.

As a reader and writer, I’ve found eco-fiction to be one of the most urgent and transformative literary movements of our time. In this post, I’ll explore its history, forms, and emotional impact—and why, in the face of a rapidly changing planet, eco-fiction may be one of the most powerful tools we have.

What Actually Is Eco-Fiction?

Eco-fiction isn’t just stories with trees in them. It’s a type of literature where the natural world becomes a central character, not just a pretty backdrop. These novels and short stories wrestle with some of the biggest questions facing us today:

How do we live on a planet that’s rapidly changing?

What happens when the weather becomes unpredictable?

How do we grieve species that are disappearing?

The Range of Eco-Fiction

The genre is surprisingly broad, spanning many styles and settings:

Dystopian futures like Margaret Atwood’s novels;

Intimate, personal stories, such as beekeepers struggling with hive loss;

Speculative worlds imagining flooded cities decades from now;

Contemporary narratives about people processing ecological change—like a woman in rural Kentucky witnessing displaced monarch butterflies.

What connects all these stories is a simple but powerful idea: human stories and environmental stories are inseparable.

Nature as More Than a Backdrop

Traditional fiction often treats nature like a stage set—nice to look at, but ultimately forgettable. In eco-fiction, nature is a scene partner that actively shapes the plot, characters’ choices, and the very atmosphere of the story.

A Brief Historical Perspective

The Rise of Climate Fiction: By the 2000s, “cli-fi” (climate fiction) became a recognized subgenre. Authors like Kim Stanley Robinson and Paolo Bacigalupi created immersive worlds shaped by climate change, offering more than warnings—they presented thought experiments about adaptation, resilience, and what it means to be human when the planet itself is changing.

Early Influences: The impulse behind eco-fiction isn’t new. Writers like Henry David Thoreau and John Muir explored human relationships with nature as far back as the 1840s, encouraging readers to see wilderness as sacred rather than something to conquer.

The Environmental Awakening: Eco-fiction as we know it today took shape after the 1960s environmental movement. Rachel Carson’s Silent Spring (1962) exposed ecological destruction, inspiring writers to imagine futures shaped by environmental crises.

Eco-Fiction Across the Genres

What I love most about eco-fiction is how varied it is. There’s no single template these stories follow, which means there’s probably an eco-fiction book that speaks to whatever kind of reader you are.

Future-Focused Climate Fiction

These stories give us flooded cities and carbon credit economies, asking “what if” questions about our current trajectory. Kim Stanley Robinson’s New York 2140 imagines Manhattan partially underwater but still thriving—a surprisingly hopeful vision of adaptation.

Contemporary Literary Fiction

These explore how environmental issues play out in today’s world. Barbara Kingsolver’s Flight Behavior follows a woman whose discovery of displaced monarch butterflies transforms her understanding of both science and her own life.

Magical Realism and Indigenous Perspectives

These blend the natural and the mystical, often drawing from Indigenous perspectives where land and spirituality are intertwined. Linda Hogan’s Solar Storms is a gorgeous example of this approach.

Hopeful Futures (Solarpunk/Hopepunk)

These actively push back against despair by imagining sustainable futures where technology and ecology work together. These stories show us communities that have figured out how to live well on a damaged planet.

Environmental Thrillers

These bring environmental stakes to page-turning plots—think corporate cover-ups, activist sabotage, or detectives solving crimes with ecological consequences.

The diversity matters because it means these stories can reach different readers and explore different aspects of our relationship with the planet. Not everyone wants to read about dystopian futures, but maybe they’d connect with a mystery novel where the crime is against the natural world.

Why These Stories Hit Different

Here’s what I’ve learned from reading eco-fiction: statistics about climate change are important, but stories about climate change change how you feel about being alive right now.

When I read about coral bleaching in the news, it’s abstract. When I read about it in a novel where characters I care about are watching their reef die, it becomes personal. The science is the same, but the emotional impact is completely different.

Eco-fiction takes the overwhelming scale of environmental problems and makes them human-sized. It shows us what it feels like to live through ecological change, not just think about it. And crucially, it doesn’t just focus on crisis—it explores adaptation, resilience, and the possibility of different futures.

These stories also expand our sense of who and what deserves moral consideration. In eco-fiction, rivers have agency, forests have memory, and animals have perspectives worth exploring. Reading these books has made me more aware of the non-human world around me—I notice bird behavior differently, I pay attention to which plants are thriving and which are struggling.

Five Books That Changed How I See the World

The Overstory by Richard Powers completely rewired my relationship with trees. Powers weaves together multiple human stories around the central “characters” of various tree species, showing how individual choices ripple outward through ecological systems. It’s the kind of book that makes you want to apologize to every tree you’ve ever ignored.

Parable of the Sower by Octavia E. Butler imagines a near-future America collapsing from environmental and social pressures. Butler’s protagonist, Lauren Olamina, develops a new philosophy called “Earthseed” that treats change as the fundamental reality of existence. It’s devastating but also weirdly hopeful—a guide for how to maintain humanity when everything familiar is falling apart.

Flight Behavior by Barbara Kingsolver uses the mystery of displaced monarch butterflies to explore climate change through the eyes of a woman in rural Appalachia. Kingsolver excels at making environmental science accessible and emotionally resonant without dumbing it down.

Solar Storms by Linda Hogan tells the story of four generations of Indigenous women and their relationship to land, water, and ancestry. It’s a story about healing both personal and environmental trauma, showing how ecological violence is inseparable from colonial history.

The Ministry for the Future by Kim Stanley Robinson is a dense but fascinating exploration of global climate politics and survival. Part thriller, part manifesto, it forced me to think about the scale of international cooperation needed to address ecological collapse.

Each of these books didn’t just inform me—they changed how I move through the world. That’s the quiet power of eco-fiction: it gives you new ways to feel the weight of environmental challenges while still imagining ways to carry them forward.

Eco-Fiction Stories as Seeds for Change

The more I read eco-fiction, the more convinced I become that stories aren’t just entertainment—they’re a form of quiet activism. They plant questions we can’t unask. They offer new ways of seeing, feeling, and imagining what comes next!

For Readers: What to Look For

If you’re curious about diving into eco-fiction, pay attention to how these stories handle place. In eco-fiction, setting is rarely just scenery—it’s often a character, an antagonist, or a source of transformation. Notice how the environment shapes character decisions and drives plot.

Also, look for interconnectedness. How do natural systems, political systems, and emotional systems collide in the story? The best eco-fiction shows us that everything is connected, even when those connections are uncomfortable or complicated.

For Writers: The Art of Subtlety

For writers interested in the genre, the most important advice I can give is: don’t preach. The most powerful eco-fiction doesn’t lecture—it complicates. It opens space for grief, awe, and contradiction. Let the environment shape your plot rather than just decorating it.

We need science and policy, absolutely. But we also need narrative. We need fiction that helps us process grief, kindle hope, and stay awake to the complexity of the world we’re trying to save. Eco-fiction doesn’t hand us answers—it gives us something rarer: a reason to care deeply and act meaningfully.

As our planet enters an era of irreversible transformation, literature will play a vital role in how we respond—not just intellectually, but emotionally and ethically. Eco-fiction reminds us that we’re not separate from the Earth’s story. We’re already characters in it.

The question is: What kind of story are we writing now?


EKB author photo 1

Erin K. Larson-Burnett, Production Manager at Atmosphere Press (submit your manuscript here!), is a born-and-raised Southerner currently living in Katy, Texas, with her husband and their small domestic zoo. She is an avid ink drinker who lives and breathes books—during the day, she works remotely with authors around the world, honing and perfecting books published through Atmosphere Press. By night, she crafts her own stories…or at least tries to. The Bear & the Rose is her debut novel.

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