Nan Evenson has published three books. The first two in the Not Really series, Good Night (Not Really): Let's Count Forward AND Backward and It's a Terrible Day (Not Really): Let's Count by Twos, are unusual counting picture books that have won several awards, making her Ukrainian illustrator and herself quite proud. The third book, Walk On, is a middle-grade/young adult historical fiction, Western-type adventure novel published by Atmosphere Press in 2025. She has also published and won awards for several short stories. Her love for young people, cultures, history, and the less well-known inspires her writing.
An Interview with Christina Owens
Christina Owens is a seeker of life’s many discoveries. With Oklahoma in her heart and Virginia beneath her feet, she carries both places as home. One grounds her beginnings, the other shapes her becoming.
An Interview with Teresa Stepp
Teresa Torba Stepp is an author and visionary storyteller whose work invites readers to step into the timeless journey of the soul. Blending faith, spiritual wisdom, and the profound lessons carried across lifetimes, she writes with the intention of healing hearts and helping souls rediscover their voice.
An Interview with David Andrew Tittle
David Andrew Tittle is a multicultural poet and writer, born and raised on the US/Mexico border in Calexico, California. His work blends sharp social commentary with wit and moments of raw tenderness, exploring identity, resistance, love, grief, and moral clarity.
An Interview with Joseph Hussein-Wilcox
I am in my late forties. A dad, a husband. A concerned citizen. I have always enjoyed being creative, and story writing has gripped me more than I ever thought it would. I hope my works are enjoyed by many.
An Interview with Desmond Knipe
I’m Desmond Knipe, author of the NAMUH Trilogy—metaphysical science fiction about awakening, choice, and what we might become when we grow kinder and braver. NAMUH Book 1: The Awakening launched on August 8 and blends big-idea sci-fi with spiritual curiosity. I’m building a connected reader world—books, audio, community, and more—at namuhtrilogy.com.
An Interview with Madison Wright
Madison lives on the east coast of North Carolina, where she embraces the roles of full-time mother, wife, and educator. When she isn’t writing or teaching, she can often be found outdoors—whether walking beneath coastal pines, tending a garden, or chasing the salty air of the shoreline. She has a deep love for homemade meals shared around the table, especially when paired with a glass of cabernet. Her writing is rooted in both family and imagination, weaving together the beauty of daily life with the wonder of storytelling.
An Interview with Zach Adams
Zach Adams has had a passion for writing and storytelling their entire life. However, they didn’t decide to pursue it as a profession until they realised that working in retail was completely draining their remaining life force. And so, Adams set out to create a fascinating and captivating universe, which they achieved in their debut novel and album, Dead Man Walking.
An Interview with Ekta Garg
A voracious reader since preschool, Ekta was one of those ‘nerdy’ kids who competed in spelling bees. If her parents wanted to punish her, they would take away her books, so Ekta made sure to behave. She got her start in niche publishing in 2005 and has written about and edited everything from healthcare to home improvement to Hindi films.
An Interview with Annabel Youens
Annabel Youens originally studied creative writing at the University of Victoria before falling into ‘her own alternate dimension’—the world of tech. As employee number eleven at Abebooks.com and co-founder of two global startups, she spent twenty years building companies in New Zealand, California, and her home base of Victoria, BC, before returning to her first love: storytelling. At age forty-six, she resigned her chief marketing officer position to pursue her authorial dreams, founding Salt Line Press and completing her debut novel. Thread Traveller explores themes close to her heart: the possibility of reinvention at any age, the cost of putting everyone else first, and the radical act of choosing yourself.