Brandon Jones is a lover of all things fiction, spending his free time reading the likes of H.P. Lovecraft. Ignoring books until the age of 15, Brandon used to hate reading. But after a death in the family, he couldn’t stop reading. Now inspired by his departed mother, Brandon is writing daily. After 11 years of struggling with himself, he’s finally done it. Book 1 finished, with 2 and 3 in the works at the same time!
My name is Clara Foxlow, and I’m a writer from the UK with a deep love of folklore, autumn, and cats. The Hollow Season is my debut novel, a young adult story set in the village of Wrenlow, where mystery and memory weave through the lives of its people and six watchful cats.
Robin writes dark, emotionally-charged fiction with razor-sharp edges and tender undercurrents. Her stories dissect love and trauma, survival and control, with characters who don’t just break—they unravel. She’s the voice behind the Four Husbands and a Bottle of Trouble series, where resilience is messy, love is dangerous, and control is always an illusion.
For years, authors have been told, “The gatekeepers are gone, and publishing access is open to all!” Thanks to self-publishing and digital platforms, it’s easier than ever to get your book online. But true publishing access—getting your book into readers’ hands and building a lasting career—is far more complex.
In an age filled with writing software and digital tools, there’s something timeless—and surprisingly powerful—about notecard novel planning. Mapping your book by hand using physical notecards lets you see your story’s structure in a tactile, flexible way. This low-tech approach frees you from screen distractions and helps you engage more deeply with your plot, characters, and pacing.
When it comes to crafting a compelling story, many novelists can learn a lot from filmmakers. Screenwriting techniques focus on clear structure, precise pacing, and vivid storytelling—all essential elements that can elevate your novel to the next level. By borrowing tools from the world of film, novel writers can create tighter plots, more dynamic scenes, and characters that leap off the page.
Finishing a book is an incredible achievement, yet many writers find themselves grappling with writer’s self-doubt the moment they type “The End.” Instead of feeling proud and accomplished, it’s common to experience uncertainty, disappointment, or even frustration with your work. These conflicting emotions can be confusing and discouraging, but they are a natural part of the creative journey.
Marketing your book can feel overwhelming or even uncomfortable—especially if you worry about coming across as pushy or “selling out.” But it doesn’t have to be that way. Authentic marketing is about sharing your story and passion in a way that feels genuine and respectful to both you and your readers.
Writing the ending first is a technique that many writers overlook, yet it can be a powerful way to bring clarity and focus to your storytelling. Endings are often the hardest part of a story to write because they must resolve conflicts, deliver emotional impact, and leave readers satisfied. Starting with the ending gives you a clear destination, helping you avoid getting lost in plot tangents or rewrites later on.
If you’re an author wondering how to get your book in bookstores, you’re not alone! Securing shelf space—especially in indie bookstores—is a valuable way to reach local readers, build your audience, and boost sales. But pitching your book to bookstore owners can feel intimidating, and the last thing you want is to come across as pushy or desperate.
If you’ve ever searched how to run a book giveaway, you already know the promise: more visibility, more readers, and maybe even a burst of reviews. But too often, authors end up spending money on prizes, shipping, or ads—only to attract freebie hunters who never engage with the book at all.
Cassandra (she/her) graduated from Indiana University in December 2020 with a bachelor’s in English literature and minors in creative writing and psychology. She has experience in many aspects of book publishing, but she found her passion in interior book design with Atmosphere Press. Now, she loves her job of helping every Atmosphere author perfect their book before falling into the hands of readers – and new fans!
Eco-fiction is literature that places the environment at the heart of storytelling—not just as a backdrop, but as an essential force. These are novels and short stories that engage directly with ecological themes: climate change, biodiversity, sustainability, and the fraught, fascinating relationship between humans and the natural world.
Writing Slow Burn Romance: Patience + Passion Writing slow burn romance is one of the most rewarding yet challenging endeavors in the romance genre. This beloved subgenre is known for its gradual, simmering build-up of attraction and emotional connection between…
The honest truth is that most authors don’t make a substantial amount of money selling their book. It’s a crowded marketplace, with lots of choices for readers, and it’s difficult to carve out a niche and promote your work to the extent necessary to make thousands and thousands of dollars in sales returns. This is true of all authors, not just those who publish with us.
As writers, we are the architects of worlds, the creators of dreams and nightmares alike. And in the realm of dark fantasy, our pens become the wands that summon forth demons and dragons, witches and warlocks, heroes and antiheroes locked in an eternal dance of light and darkness.
Embarking on the journey of publishing your book is an exhilarating adventure, but it’s crucial to navigate the landscape with discernment and insight. One aspect that warrants careful consideration is the distinction between hybrid publishers and vanity presses (also known as author-funded or subsidy presses).
Daria Marmaluk-Hajioannou is a globally acclaimed musician and songwriter, celebrated for her culturally rich and diverse music-earning over two dozen international awards. Alongside her musical journey, she has been creating pysanky since the age of twelve, inspired by the vibrant traditions of her Ukrainian and Slavic heritage.
Kaylee’s writing career took off at the age of twelve, when she decided to record the stories she and her older brother had created while they played. Six years later, now a high school graduate, Kaylee Umstead is ready to share her debut novel with the world. Having traveled the world as a little girl, she learned how to stretch her dreams beyond the horizon and pursue her passions with the fervor of a pitbull. She’s a two-time winner of the VFW’s Voice of Democracy in her community, and a Blue Ribbon winner in Equestrian competitions. Kaylee prides herself on achieving excellence in everything she does. All the glory and honor to her personal Lord and Savior. Joshua 1:9.
Christopher Bolsover joined the Derbyshire Constabulary at sixteen, then the Royal Military Police serving in Germany and Northern Ireland, the latter as an investigator with the Special Investigation Branch during the major troubles there. He immigrated to Australia in 1974 and was a private detective before starting his business career, which took him to the heights of Corporate America with multi-billion-dollar companies.