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Poteet Victory, by J. Robert Keating

Poteet Victory is a rags-to-riches story of historical significance.

Through his efforts on behalf of the tribes, Poteet became one of the most-honored Native Americans of the past half-century. Abandoned as a child, he beat the odds to become a renowned painter, living in Santa Fe, New Mexico, who has sold thousands of paintings for millions of dollars. Authentically presented in his own words, Poteet’s story is funny, entertaining, and inspiring.

In Poteet Victory by J. Robert Keating, we experience life with one who has done it all. How does someone who grew up in Idabel, Oklahoma become a member of a hippie commune on the Hawaiian island of Maui? How does that person find themselves living and working among the stars in New York City—teaching Andy Warhol the finer points of silk screening? Back in Oklahoma and with the support of many tribal leaders, Poteet became controversial when he showed the truth and the real suffering of his ancestors on the Trail of Tears. Learn about this man and be challenged by his life.

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After the Breaking, by Karen J. Laakko

The light has fallen, and both past and future hang in the balance….

In the northern reaches of a desolate world stands a fallen realm, its sky tainted by an unnatural darkness that is slowly threatening other regions. As three explorers pick their way through the ruins in an effort to find out what happened, they learn that the truth extends farther than they could ever have imagined–across both time and space. The realm has hidden histories, its enemies taking many forms, and it isn’t long before the explorers find themselves confronted with a living reminder of this distant past.

The Beyond the Hostile Sky Cycle is a genre-blending epic, bringing together elements of fantasy, military science fiction, and limited time travel. This initial installment introduces a colorful and mysterious fantasy world near the end of the series’ timeline, after generations of interaction between magical and technological societies.

This volume also includes a three-chapter preview of the next book, Beyond the Hostile Sky!

Visit the author’s website: https://karenjlaakkoauthor.com/

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Convalesce, by Enne Zale

Convalesce (Kaan-vuh-les)

Relationships are about an exchange of trust. This trust can be romantic, carnal, or familial. What do we do when this trust is placed with the wrong person? What do we do when that trust is twisted and abused for the benefit of another, at the expense of our innocence?

We will fight to justify what happened and make peace with our demons. We will re-play in our heads “he’s a nice guy,” or “she didn’t mean it like that,” until we believe the lie ourselves. But to truly heal and become resilient, we must acknowledge our truth.

With Convalesce by Enne Zale, you are challenged to acknowledge your truth. You are challenged to revisit your demons and become resilient. You are challenged to create peace from trauma and find wisdom through your experiences.

Find a cozy place to sit. It’s time to whisper your confessions.

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The Lost Language of Crazy, by Pamela Laskin

“THE LOST LANGUAGE OF CRAZY explores the delicate intricacies of family, mental health, and identity, as we follow one girl on a difficult, yet life-affirming journey of self-discovery. Written with honesty and humor, Pamela Laskin expertly draws us into the vibrant, complex world of a young creative soul, who, in search of the many meanings of crazy, discovers the many faces of love.“

– Amber Smith, New York Times bestselling author of The Way I Used to Be, The Last to Let Go, and Something Like Gravity

Pamela Laskin tells a riveting story of loss, confusion, and heartbreak based on her own childhood—all the while maintaining the wry humor and fulsome compassion that are the lynchpins of her work. As I neared the end, my eyes brimmed with tears, not from sadness, but from the full emotional ride that The Lost Language of Crazy delivers. It’s a contemporary tale that any young person struggling towards adulthood in this crazy world will relate to.
– Suzanne Weyn, author of The Barcode Tattoo trilogy

Is it possible to wake up one day and be emptied of words? For a writer, this would be an unimaginable nightmare, but for any of us, this would be a terrifying ordeal. What happens when we lose our voice? On the flip side, what happens when we are plagued with many voices?

THE LOST LANGUAGE OF CRAZY explores the terrain of mental illness from the point of view of its twelve-year old narrator, Penny, who has grown up believing her mother is dead. The novel opens with the protagonist’s desire to finish writing a play, which she is incapable of doing, since she does not know how the play ends, while her best friend, formerly a girl, yearns to play the dad. This is a story about words and language; gender confusion and the secrets surrounding it; silence and lies; mental illness and a writer’s journey.

Central to the book is the premise that we all have deeply buried selves, and these burials create a mental instability, which becomes the narrative we bring to the world.

All of the characters find themselves challenged by having their voices and identities silenced in some way by familial and societal expectations; they and the reader come to understand the truth of e.e. cummings observation that: “To be nobody but yourself–in a world which is doing its best, night and day, to make you everybody else–means to fight the hardest battle which any human can fight; and never stop fighting.”

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My Place in the Spiral, by Rebecca Beardsall

“I am here. I once was here. I will return here. The here always remains,” states author Rebecca Beardsall in her part memoir/part photo album My Place in the Spiral. In the author’s insightful and intriguing journey to research and spiral back to two women ahead of their times—her grandmother Ruth and great-grandmother Mary—Beardsall forges for us a path of understanding. Comparing faces, mannerisms, conversations, houses, educations, beliefs, superstitions, and dreams, she leads us from her New Zealand and Western Washington homes back to her Pennsylvania German heritage.

We, too, are in these pages, detectives uncovering clues to better understand, perhaps, our own identities. Mennonite upbringing re-stitched with feminism and literary theory? The future superimposed with sepia-toned photographs? Yes. In My Place in the Spiral, “the past…[serves as] a vision of [the] future….[t]he gyre of memory… looping back again.” In these pages, Rebecca Beardsall gives us the people we love alongside the ancestors we may never have met. In doing so, she encourages us to rediscover in them our present and future lives.

–Marjorie Maddox, www.marjoriemaddox.com, author of the prose collection What She Was Saying

Through Beardsall’s use of photographs and narrative captions, it’s as if we have all been invited to an intimate family slideshow. My Place in the Spiral begins with a look at time, at memory, and at our place in all of it and ends with the satisfaction that Beardsall has found herself, her nana, and her great-grandmother connected in the those spiraled lines that are always retreating and returning all at once.

Rebecca Beardsall’s quest to find out how and why she has always connected with her nana and great-grandmother is a literary journey through photographs and travel. With each turn of the page, we see what she sees, the closing of the distant connection between two women she had always wanted to meet but couldn’t and the warmth that grows inside of her with every discovery that she is more like them than she could have imagined.

–Kase Johnstun, http://kasejohnstun.com/, author of Beyond the Grip of Craniosynostosis

My Place in the Spiral is ostensibly about her search to find out something about her grandmother. And it is that, and that simple story is interesting enough in its own right. But it’s also about more far more than that. Through photographs and footnotes, the book asks us to suspend ourselves in multiple moments in the same moment, to see one body in multiple bodies (or is it multiple bodies in one body) and, in doing so, to confront any number of quietly sublime truths about our complicated relationship to time. At various points, the book reminded me of Mitchell, Vonnegut, and Dickens; yet the book goes beyond those now dusty meditations on time to propose yet a new relationship to time.

Beardsall uses family history to bend time back on itself so effortlessly. The story runs through your hand a bit like sunlight or cold river water or time itself: beautiful, important, impossible to capture or contain, let alone describe.

Readers will find themselves in My Place in the Spiral, I think, because we have all looked into a mirror and watched an unexpected ancestor peer back out. Time does not progress. It swirls. It eddies. It flows faster. Sometimes it stops, even doubles back on itself.

–Nathan R. Elliott, Ph.D , writeronabike.online

Memoir takes a visual, time-traveling and always intriguing interpretation as Rebecca Beardsall’s book crisscrosses family, history and destiny in sometimes startling discoveries that inspire further exploration of the mysteries in one’s own memories.

–Sarah Eden Wallace, multimedia journalist, Falling Star Studio

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Late Magnolias, by Hannah Paige

Jade Handan has murdered her father. For the past twelve years, she’s been forced to forego discovering who she is and become the mother who abandoned her. Snapping from the abuse, she leaves his dead body in her California home and is wandering the highway without a plan when Beatrice Hazeldine rescues her.

Bea appears to be everything that Jade is not: eccentric, passionate, confident. With nothing more than a picture of her mother and a note from an old love in New York, Bea and Jade head out to find Jade’s mother. The road trip becomes less about fleeing a crime and finding Jade’s mother, and more about the two women revealing their true selves.

When Jade’s past inevitably catches up to her, she is sent reeling. Confronting her actions tests the person Jade has become. She finds even what we trust most can be lost and the truths we most want to run from are those that make us who we are.

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How It Shone, by Katherine Barham

 

As if the silence of snow falling on itself/drowned out the edicts of ice/and the demolition next door—as if/a promise glowed—these poems are beautifully poised on that “as if…” Their luminous clarity is matched by delicacy of feeling, understatement, subtlety, an attentive ear so fine it can hear Longings/spin gravel and go, or that bird’s wing brushing the air. So much home truth in this slender volume, but such lightness of touch we can almost forget that “how it shone” is inseparable from its vanishing.
–Eleanor Wilner, author of Before Our Eyes: New and Selected Poems, 1975-2017 and winner of the 2019 Frost Medal for distinguished lifetime achievement in poetry

“My father bore witness to the things of this world,” Katherine Barham writes, “but he wouldn’t presume to be them.” Later, she recalls “geese gliding back / across the pond into themselves,” and says of the deer who don’t see her watching, “it’s good / they don’t know I imagine joining them.” In poems that bear close and perpetual witness to the particulars of the world we share, Katherine Barham acknowledges nature’s obliviousness to our presence – air “haywire with cicadas,” bees that “sucked, / head down” through a season of drought, the geese, the deer – both to mark our own sad interruptions of that balance – our isolations, our inexplicable cruelties, the trouble that consciousness brings – and to remind us that to join the harmony offers us the chance to return to ourselves. “I gallivant,” she writes – no, that’s a bird. “At best I leave a blush behind,” she writes – no, that’s the moon. “I brush my wings across her face,” she writes, and that’s the human self, guardedly and provisionally at home.

-Nathalie Anderson, author of Quiver and Stain

The poems in How It Shone sometimes celebrate, sometimes accuse and sometimes query the past and its players, invoking familial and romantic relationships. Plants, insects, animals and the seasonal cycle offer a diversion or respite from human encounters. These other inhabitants of the planet, while fascinating for their mysterious domains, are granted their autonomy and separateness from poets like Barham who “imagine joining them.”The poems in How It Shone sometimes celebrate, sometimes accuse and sometimes query the past and its players, invoking familial and romantic relationships. Plants, insects, animals and the seasonal cycle offer a diversion or respite from human encounters. These other inhabitants of the planet, while fascinating for their mysterious domains, are granted their autonomy and separateness from poets like Barham who “imagine joining them.”

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The Red Castle, by Noah Verhoeff

The year is 1410. While battles rage in far off lands, Manfred von Göttingen, a young German knight, is confined to his miniscule town of Adelebsen. Dedicated to his duty of protecting his people, Manfred is torn apart when his father sends him on a mission away from home.

His quest: to escort an old crusader and a scholar across Medieval Germany to the far-off land of Prussia – the Kingdom of the Teutonic Knights. Manfred and his knights are forced to battle their way through hordes of pagans, peasants, and Poles, only to find themselves questioning the validity of their entire mission. What good is chivalry when your enemies hate what you stand for with a burning passion? What mercy can a warrior expect?

Return to the age of chivalry to unearth the truth behind the region of Göttingen, follow the bold Sir. Manfred on his quest, and discover what sorcery brought five brave men of the sword to their most desperate hour.

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It’s Not About You, by Daniel Casey

It’s Not About You by Daniel Casey punches hard and heavy and pierces sharp and shrill an inconvenient but imperative truth some of us are gleefully unaware of, others choose to ignore, while the rest only see themselves as right and righteous. Casey confronts grueling realities in our society such as the effects of colonization, systemic oppression, privilege, entitlement, fears without facts, with grit and candor while also being demanded and demanding more of himself “than being among / a colorless, one-dimensional people.” This thought-provoking poetry collection is an urgent calling to challenge ourselves to “Be better, do better.” And hope our collective history will persevere and triumph as “white light suddenly wiping the slate clean” in time.

Nadia Gerassimenko, poet and founding editor of Moonchild Magazine

Daniel Casey’s It’s Not About You takes aim at the evils of our days – from Brock Turner to Donald Trump to the mealy-mouthed term “millennial” deployed to tone-police and silence. He employs “fucking” liberally for emphasis, uses tarot as a form, calls out Southern dogs, Kansas sunflowers, and white people. Moments of lyric beauty – “Let your throat warble / sounding some exquisite bliss / to the exclusion of all else” – are juxtaposed with fantastically honed anger: “The legacy / of the Baby Boom will be / a kind of aggressive myopia / like the not all men/all lives / matter.” The title is a lie – these poems are about us.

C. Kubasta, @CKubastathePoet, author of Of Covenants & This Business of the Flesh

In a 2007 essay, Robert Pinsky called for “difficult” poetry: poetry that pushes us to confront truths we don’t want to face. The poems in Daniel Casey’s It’s Not About You answer this call. In the spirit of Philip Larkin, Casey’s poems push us to examine the uncomfortable realities of human nature – apathy, rage, disdain – and what it means to live in a nation fueled by prejudice and greed, focused on the myriad ways we find “to destroy what you love.” And yet there is hope here that if we “know full well” our darker nature, we can resist it, and through this challenging work, we can “be better, do better.”

Emma Bolden, Associate Editor-in-Chief, Tupelo Quarterly www.emmabolden.com

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The Stargazers, by James McKee

“Truly fine poems….I love your work.”
~ X. J. Kennedy, author of In a Prominent Bar in Secaucus: New and Selected Poems, 1955-2007

“Intelligent…handled with pleasure and confidence… beautifully executed….This fine poetry, lush with detail and rich with sound, can savor its thematic cake and still have it later, as far as I’m concerned. Don’t we, too, prefer the ‘impeccably impure’ in art over righteous dogmatism?”
~Ron Smith, Poet Laureate of Virginia, author of Its Ghostly Workshop

“Gorgeous, splendid, even magical…This is the book I wish I’d written.”
~Christophe Cayle, author of Forget You

Poems are emotionally fraught objects some of us like to have around because, like all art, they offer the most satisfying reconciliations between ourselves and the world. The poetry of James McKee’s debut collection The Stargazers invites readers to engage with personal intensities of love, grief and time’s passage as well as with the looming forces of climate change, entrenched oppression, and weaponized history. And so, amid the numbing cacophonous welter of 21st Century American life, McKee’s poems undertake serial acts of rescue and refusal, of commemoration and condemnation, of compelled lyric outburst and deliberative public engagement. If art, as Picasso said, is “a lie that shows us the truth,” these poems neither hide their status as objects of artifice, nor despair of offering their readers the mysterious pleasure of the clarifying word.

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The Unexpected Aneurysm of the Potato Blossom Queen, by Garrett Socol

With an offbeat sense of humor, Garrett Socol delves into the lives of seemingly ordinary women and the secrets that lurk beneath their pristine surfaces. Whether it’s a neglected wife seeking revenge on her cheating husband or a female electrician who deliberately causes power failures or an attorney confronting her childhood rapist thirty years later, each story is charged with vivid language, heartbreaking truth, and a touch of quirky, sometimes macabre humor.

The stories range from the deeply unsettling (“Looking For Last Year”) 

to the absurdly humorous (“Island Envy”) to everything in between. There’s a wonderfully warped yet entirely honest portrayal of the human condition on display. The female protagonists are anxiety-ridden, unpredictable and flawed, but they refuse to give in or give up. In her chaotic universe, each woman faces challenges that are fierce, funny and often traumatic. And yes, you’ll find a couple of male protagonists along for the ride, too.

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Love Your Vibe: Using the Power of Sound to Take Command of Your Life, by Matt Omo

If you are struggling with life in any way, it is within your grasp to take command and live a life of true harmony. We all have an innate wisdom to find this harmony and express it fully. Life is vibration, or, in essence, it is sound. We have just forgotten how to allow life to sing through us. We resist this sound of life and mute the strings of creation due to our past trauma, conditioning, experiences, fears, insecurities, and limiting beliefs.

We blame the world around us for the way we are and beat our selves up for not living the life we desire. When we learn to love our vibe and the vibe of all life we can live in harmony with it. Through this seven-step process you will be guided to take command, embrace harmony, and become the conductor of your life’s symphony.

Matt Omo MA, aka The Gong Guru, is an international sound healer, breathworker, shamanic dude, visionary, and spiritual leader. His passion is to connect people to their authentic truth and help them to embrace their divine purpose. Learn more at www.omosoundjourneys.com.

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What We Stand For

Founded by author Nick Courtright in 2015, Atmosphere Press is dedicated to being the premier service for authors who want not just any publisher, but one who will be a true partner through the book-making process. As a Better Business Bureau accredited business, we are devoted both to excellent bookmaking and to excellent ethics.

Here’s what we stand for:

Honesty: because our mission is to be author-friendly, that means always giving the most straightforward and honest advice about the ins and outs of the authorial life. We pride ourselves on telling the truth, even when it’s not easy, and are dedicated to sticking by one of our founding precepts: “if I were the author, what would I want to know?”

Transparency: publishing is rife with dodgy behavior, from predatory vanity presses who promise the moon (if only you give them twenty grand) to traditional presses who mark up author copies and make book changes without the author’s permission. We’re dedicated to letting you see the wizard behind the curtain, so that you can rest easy that everything’s on the up and up.

Professionalism: with decades of combined years of writing, editing, designing, and publishing experience, our staff strives to be as professional as they come. We know the ins and outs of the industry, and will be responsive and helpful; in other words, we respond to emails in a timely fashion. And of course, we will only publish books that truly contribute something wonderful to the world.

Kindness: this might be our favorite tenet on this list. As an author-friendly press, we take the word “friendly” seriously, and will be positive and helpful every step of the way. A good publisher shouldn’t be just a business partner, but should be full of people you’d want to invite to dinner. Whether it be making a good joke, allaying your worries about being an author, or simply sending an encouraging note, kindness is our hallmark.

Making Your Book Awesome: this one is a no-brainer, but we really can’t settle for anything less. Whether it be a matter of editorial advice or design, we want our authors and their readers to be blown away when they first hold that book in their hands. It needs to look good inside and out, and feel good to the touch. And, of course, the words need to be top-notch, and our editors are devoted to making that the case.

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