Cat Speranzini is the editor-in-chief of Grey Coven Publishing and a reader for Querencia Press. Her poetry has been published by numerous publications, including Glass Gates Publishing, The Eunoia Review, Querencia Press, and Moss Puppy Magazine. She has two full-length collections: Watercolor Souls and Calm in the Dark. She can be found on her public Instagram page @catsperanzini.poetry.
A.F. Roberts was raised in Phoenix, Arizona, by transplants from Chicago. As a youth, comic books and science fiction were major influences. High school through college brought an introduction to Christianity, which, combined with the former, birthed not only a refreshment of spirit, but an imagination unrestrained by any constrictions of that same faith.
Sierra Hood is an award-winning teenager who has written over two hundred works of English literature. Sierra has won first place in the Los Gatos Poetry Contest of 2023, third place in the San Jose Slam Poetry Contest, and two honorable mentions in the 2024 Scholastic Art & Writing Awards. Sierra has been published in the anthology Dreams for the Future. She is also one of the leading members of her local poetry club. Sierra writes for the people who have also been subjected to sexism, misogyny, depression, anxiety, and even physical violence over the years. As Sierra continues to write and fight for change, she hopes to inspire the new generation (and generations to come) to advocate for themselves and to help them make a home for themselves in poetry as she has.
Onika Howdyn lives in a cozy, country town in New Hampshire with her family, two felines, and a flock of feathered raptors. When she is not writing dark and dismal tales, she is enjoying time outside with her boys or eating nachos on the couch while watching pro-wrestling.
Michael Sirois taught English, drama, and technology to middle school students for twenty-three years before spending seven years as an educational program manager at Rice University. He retired in 2009 to write full-time. His novels include a thriller about an 8,000-year-old sociopath, a two-book saga about a monarch butterfly’s migration, and a non-fiction book about an innocent man in prison. His next major project will be a series of novels based on the Arthurian legends, but set in a post-apocalyptic American South. He has always been interested in exploring all aspects of the human condition.
Frances Wong is a passionate children’s science fiction and fantasy author with three self-published books. From a young age, Frances was captivated by the magic of storytelling, crafting homemade books out of tape and paper. This lifelong love for literature has fueled her mission to inspire young readers, encouraging them to explore new worlds through the pages of a book. With a deep commitment to fostering a love of reading in children, Frances creates imaginative tales that spark curiosity and adventure in young minds.
A.M. Berkowitz, a screenwriter and children’s book author, has rapidly emerged as a cherished voice in children’s literature, known for her ability to weave tales that capture the hearts of young readers. Born in Kansas and having lived across the United States, Berkowitz’s diverse experiences enrich her storytelling, bringing a unique blend of creativity and relatability to her work. Since beginning her writing journey in 2018, she has dedicated herself to fostering a love for reading and imagination in children.
T.D. Wilson is a science fiction and fantasy author from Ohio. In addition to writing, he holds a Bachelor of Science in Electrical Engineering and has supported the systems and networks in several of the largest Supercomputing data centers in the world. Visit his website, tdwilsonbooks.com, for more information about him or his works.
Tabitha Potts’ short fiction has been published in literary magazines and anthologies. She was a finalist in MIROnline’s Folk Tale Festival and highly commended in MIROnline’s Booker Prize Competition judged by Ian McEwan. She was the winner of Almasi League’s flash fiction competition judged by Courttia Newland. Most recently she was highly commended by the Alpine Fellowship Writing Prize.
Nolan Cook is a debut genre fiction author from Fort Wayne, Indiana. He graduated from Franklin College with a BA in Creative Writing, as well as a double minor in English and Spanish. When Nolan is not writing or reading, he enjoys watching anime, TV shows, and movies, as well as playing video games, as he believes there is no single “correct” way to tell a story. With a strong passion for representation in fiction, he hopes to tell stories and create characters that anyone can relate to.
C.J. Raphael hails from the rugged beauty of Cornwall, where moorlands stretch under open skies and the ocean’s rhythmic waves narrate tales of resilience. Raised amidst the Tamar Valley, he found inspiration in the stories shared by strong matriarchal figures, shaping his appreciation for the region’s heritage.
Ghostwriting services are incredibly versatile. They cover everything from long-form projects like books to shorter, more targeted pieces such as articles or speeches. Here’s a closer look at the different types of projects a ghostwriter can handle:
Subtext refers to the underlying meaning or implied message that exists beneath the surface of the dialogue, actions, and narrative. It’s what characters truly mean or feel but don’t always articulate directly. Subtext adds depth and complexity to storytelling, allowing readers to engage with the material on a more profound level.
Genre-bending involves combining elements from multiple genres to create a hybrid narrative. It’s about blending different styles, themes, and tropes in a way that challenges conventional genre boundaries and offers readers a fresh experience. This approach allows you to mix and match genres, resulting in stories that defy easy categorization and capture readers’ imaginations in new ways.
Enjambment is a term derived from the French word “enjambement,” which means “to step over” or “to straddle.” In poetry, enjambment occurs when a line of verse flows into the next line without a pause or break. This technique contrasts with end-stopped lines, where a line ends with a punctuation mark or a natural pause.
A ghostwriter is a professional writer hired to create content credited to another person. This can include books, articles, speeches, and more. The ghostwriter remains anonymous, with the client receiving full credit for the work. This practice is common in publishing, especially when someone has a story to tell or expertise to share but lacks the time or skill to write it themselves.
In the bustling world of social media, where every tweet is a tiny tale waiting to be told, authors find themselves on a digital odyssey—a journey where words are their compass and followers are their faithful companions. Picture this: a vast landscape of endless possibilities, where writers converge to share their stories, connect with readers, and forge meaningful relationships. Welcome to the realm of X (Twitter), where brevity meets boundless creativity, and your voice echoes across the digital expanse.
Creating a fictional language can be one of the most exhilarating and rewarding aspects of world-building in fiction. Whether you’re writing a high-fantasy epic, a futuristic sci-fi adventure, or a historical novel with a twist, a well-crafted language can bring your world to life in ways that mere description cannot. In this article, I’ll walk you through the process of creating a fictional language from scratch, providing you with practical tips and resources to make your linguistic creation a reality.
In today’s digital age, one of the most powerful tools at our disposal is the strategic use of keywords for books. Whether you’re publishing on Amazon, other online platforms, or even marketing your traditionally published book, understanding and leveraging keywords can significantly boost your book’s visibility and sales potential.
Before diving into the specifics of writing action scenes, it’s crucial to establish the context and purpose of these scenes within your story. Action scenes should not exist in a vacuum; they need to be an integral part of the narrative, driving the plot and developing characters.