Dana Bradford-Majors is a prolific author known for her contributions to the acclaimed Black Boy Joy series, including titles such as “Humans Can’t Fly,” “Because Big Boys Aren’t Afraid of Outer Space,” and “Hey New Kid!” Collaborating with her sons and co-authors, Pheldon J. Majors III and Atreyu Majors, Dana brings a unique blend of creativity and family bonding to her storytelling.
Elizabeth Motes is a fiction writer from Dallas currently living in Flagstaff, Arizona. She’s previously been published in the Querencia Press Winter 2023 anthology for her stories “Perfect Memory” and “When a Door Closes.” “When a Door Closes” has also appeared in the Venus Rising anthology. Her stories have otherwise appeared in the Windward Review, the Trinity Review, and the Outrageous Fortune magazine. She currently works as the fiction editor for Thin Air magazine.
Gina Tempesta has been a broadcast journalist for more than twenty-five years and has an extensive background in on-air announcing, production, and writing. She has worked as an anchor and reporter for some of the most well-known stations Boston. While working as a traffic reporter, Gina began to dabble in creative writing and decided it was time to write a children’s book about Boston’s famous (infamous?) Big Dig. What’s a Zakim Anyway? is the second in her series A Story About the Big Dig about the massive road construction projects that changed the landscape of the city. Gina is currently the afternoon drive traffic reporter for WBZ-AM. She lives with her husband in a suburb north of Boston.
Jaclyn graduated with a bachelor’s degree in Creative Writing from Coe College. She has several poems published in various publications. She currently lives in Des Moines, Iowa, with her wife and cats and dogs. She spends her free time with her wife and family. Jaclyn is currently working on earning a master’s degree in social work at Grand View University.
In the realm of young adult fantasy, writers hold the power to transport readers to fantastical realms where anything is possible. From the towering spires of enchanted castles to the depths of uncharted oceans teeming with mythical creatures, the canvas upon which these tales are painted knows no bounds. But crafting a compelling young adult fantasy novel requires more than just a vivid imagination; it demands careful planning, skillful world-building, and an understanding of the unique elements that resonate with readers in this genre.
In the vast landscape of children’s literature, each book serves as a gateway to a world of imagination and learning. From the whimsical adventures of talking animals to tales of bravery and friendship, children’s books come in various shapes and sizes, each with its unique theme and message. As authors and writers, understanding the significance of different themes can enrich our storytelling, captivating young readers and leaving a lasting impact on their lives.
As writers immersed in the world of dark fiction, it’s easy to be drawn to the intricate dance between light and shadow within the human psyche. Exploring moral dilemmas in storytelling is like embarking on a thrilling journey through the labyrinth of ethical ambiguity. It’s a terrain where characters grapple with their inner demons, and as a creator, an opportunity to guide them through this tumultuous landscape.
Ah, the portfolio. That glorious showcase of our literary brilliance, the gateway to dream gigs, the ever-present pressure point in every writer’s existence. We pour our sweat and tears into crafting every sentence, only to shove it onto a website and whisper a nervous prayer to the content gods.
In the quiet corners of libraries and the hushed whispers of bookstores, there exists a world where magic thrives, dragons soar, and ordinary children embark on extraordinary adventures. Welcome to the realm of middle grade fantasy, where imagination knows no bounds and storytelling reigns supreme.
In the quiet corners of literary realms, poetry stands as a timeless art form that weaves emotions, stories, and musings into the fabric of human experience. Much like a skilled artist wielding a brush, poets employ diverse forms to paint vivid pictures with words. Join me on a journey through the kaleidoscope of poetry, where we’ll explore various forms that have shaped the poetic landscape over centuries.
Stuck between first draft and finished masterpiece? Beta readers can bridge the gap. These unsung heroes provide fresh eyes, insightful feedback, and honest critique to take your story to the next level.
As a writer, there’s a certain magic in weaving tales that transport readers to a bygone era, where the echoes of history resonate through every word. Crafting historical fiction is an art that requires not only a love for storytelling but also a deep appreciation for the nuances of the past. Join us on this journey as we explore the key elements and challenges of writing historical fiction, unlocking the secrets to creating a vivid, immersive experience for your readers.
As an author, crafting a vivid and immersive world is crucial to captivating readers and bringing your story to life. Whether you’re delving into fantasy realms, exploring distant planets, or reimagining historical settings, effective world building is the cornerstone of a compelling narrative.
Kay “Kro” Kroger is an on-demand typewriter poet. They teach creative (type)writing classes and are poet-in-residence at the WNDR Museum. They have a linguistics MA (2016) and are an MFA student (2025). They are the DePaul Publishing Institute’s Editorial Assistant. Their interactive poetry/essay/activity collection, Prayer Wheel, was self-published in 2022 with grant support from the Illinois Arts Council. Their work has appeared in Outpatient Press, The Prairie Light Review, and QWERTY Quarterly, among others.
Thomas Kneeland is the author of We Be Walkin’ Blackly in the Deep (Marian University Department of Media, Communication, and Design) and a 2022 Frontier Poetry Global Poetry Prize finalist for the continent of Africa. He is a 2024 Speculative Play & Just Futurities Scholar-in-Residence, which is funded by Indiana University, the Mellon Foundation, IUPUI Arts & Humanities Institute, IUPUI Center for Africana Studies & Culture, and the Ray Bradbury Center.
I’m shallow. Things roll off my back easily and I try not to take things too seriously. Laughing is more fun than crying and worrying. I’m old-ish so I’ve got lots of experiences to choose from. I’ve got kids, grandkids and great grandkids and if they don’t slow down I’ll have great great grandkids soon. They have no interest in anything I write so I can be as smutty as I choose. I love to make my lady friends gasp when they read my stories but I don’t cross the line.
AJ Marshall is the Typesmith Fantasy award-winning author of Fate of the Scaled: The Receding Wings, a book that took ten years to craft. Although the work is fictional, certain situations were drawn from AJ’s real-life experiences to give a more personal touch to the story.
Paula Banks, a natural storyteller, discovered her talent for crafting compelling narratives during her high school years. Today, she juggles her roles as a writer and Implementation Specialist with ease, effortlessly balancing her professional and creative pursuits. Alongside her literary endeavors, Paula takes pride in raising two successful sons and supporting her spouse. Drawing inspiration from her life experiences, Paula continuously hones her storytelling skills.
Kara is a writer who lives with her family in the Midwest. With degrees in History and Interior Design, she brings a wealth of knowledge to every project she tackles. Kara also serves on the city council in her hometown and proudly serves on the local library board.
Deborah Camp is a freelance artist, writer, and art educator. She specializes in a medley of visual and written mediums from short stories and poetry to graphic design illustrations and hand painting murals for a variety of clients. Her passion for visual art derives from her great-grandfather. He loved to paint the landscapes of his motherland and horses. Her passion for writing stems from her mother’s childhood story writing musings.